directed by Carmelo Bene, 1972, 80 minSalomè is a forceful depiction of the possibility that the cinematographic vision may have run its course. With its editing verging on the subliminal and its use of refracting adhesive material, this film, which so appealed to De Chiric, his defender along with Turcato, Arbasino and Flaiano during the disorders that it stirred up at the Venice Film Festival, is a wager "on the colour light".
to tie in with its Numbers. Everything that counts, from zero to infinity exhibition
16 October 2014 > 12 February 2015
notes of Cinema History
28 October 2014 > 19 May 2015
December 11 2014 > February 8 2015